Picspam: Benedict's Theatre Works 

deareje:

Let’s start from the beginning…

Demetrius in “A Midsummer Night’s Dream” by William Shakespeare (2001)

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the King of Navarre in “Love’s Labour’s Lost” by William Shakespeare (2001)

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Benvolio in “Romeo and Juliet” by William Shakespeare (2002)

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Orlando in “As You…

posted 3 days ago on 21 Apr with 675 notes
VIA / SOURCE
tagged as:
#sherlock  #come here  #hug  #the sign of three 
221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.
Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know. 
That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.

Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know

That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

posted 3 days ago on 21 Apr with 7,582 notes
VIA / SOURCE
tagged as:
#tfios  #john green 
posted 3 days ago on 21 Apr with 12,821 notes

iampox:

Ten pictures that will make you love advertising

posted 3 days ago on 21 Apr with 265,278 notes
VIA / tagged as:
#gay marriage  #commerical  #british 

raediantrenegade:

emmastoneswife:

deathstarinmordor:

pigfarts-pigfarts-here-i-come:

British Gay Marriage Commercial

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ENGLAND: YOU’RE DOING IT RIGHT. 

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AWwwwww

posted 3 days ago on 21 Apr with 95,011 notes

Academy Award winning film, The King’s Speech.

posted 3 days ago on 21 Apr with 37,408 notes

aryafromwinterfell:

favorite books :the fault in our stars

“I’m in love with you,” he said quietly. “Augustus,” I said. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.

posted 3 days ago on 21 Apr with 23,125 notes
lustyscripps:

ruinedchildhood:

too-gay-for-this:

He has Monsters inc. on his shirt.

She has Nemo on her dress.

Violet has murder in her eyes. 

lustyscripps:

ruinedchildhood:

too-gay-for-this:

He has Monsters inc. on his shirt.

She has Nemo on her dress.

Violet has murder in her eyes. 

posted 5 days ago on 19 Apr with 430,224 notes

wsswatson:

fk4eva:

marinashutup:

in which the actor who plays one of television’s least likeable characters is actually super considerate and cool

How can he be such a despicable cunt, then…

posted 5 days ago on 19 Apr with 335,849 notes
posted 5 days ago on 19 Apr with 179 notes